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L'étude du travail des designers prend place dans une interrogation générale, qui vise le travail de construction nécessaire pour que la situation de marché apparaisse. Les designers, obligés de réaliser physiquement l'objet et d'anticiper sur un marché futur, sont particulièrement intéressants pour qui veut comprendre les mécanismes complexes de l'incorporation de la demande dans les produits. Le design est pris dans des définitions divergentes. Mais les designers partagent une définition commune de leur travail : celle d'une articulation entre l'usager et l'objet. C'est à ce titre qu'ils ont été étudiés, comme sociologues pratiques de l'usage. Trois équipes de designers industriels, choisies pour la complémentarité de leur conception du design et de leur cadre de travail, ont été suivies sur le terrain. L'étude de leurs pratiques, de leurs modes d'organisation et des techniques de représentation utilisées a dégagé les modalités possibles d'une anticipation de l'usage. Par opposition au marketing, les designers sont soumis à une contrainte pressante : leur tâche de " réalisation " de l'objet souligne tout ce que l'objet comporte d'indéterminé par rapport à un cahier des charges idéal portant les desiderata de la demande. Cette indétermination impose la nécessaire condensation de ses dimensions, esthétiques, techniques, fonctionnelles, marchandes. C'est ce moment indécis où l'objet prend forme, qui refait surgir des esquisses la pluralité des solutions possibles, et l'indétermination structurelle de l'offre par rapport à la demande.

Design --- Sociological aspects --- Sociology of innovation

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Constitutional history --- Histoire constitutionnelle --- Japan --- Japon --- Politics and government --- Politique et gouvernement --- J3373 --- J4621 --- J4720 --- J3373.10 --- J4811.01 --- J4810.70 --- -952 --- Constitutional history, Modern --- Constitutional law --- Constitutions --- History --- Japan: History -- Kindai, modern -- Meiji period (1868-1912) -- modernization and innovation --- Japan: Politics and law -- state -- constitution --- Japan: Law and jurisprudence -- constitutional law --- Japan: History -- Kindai, modern -- Meiji period (1868-1912) -- modernization and innovation -- orientation and training abroad --- Japan: International politics and law -- international relations, policy and security -- the West --- Japan: International politics and law -- international relations, policy and security -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- -Constitutional history --- -J3373 --- 952 --- Constitutional history - Japan --- Japan - Politics and government - 1868-1912

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025.1 --- 002.6 --- Library administration --- -Information services --- -Organizational change --- -Libraries --- -025 --- 002.6 Documentatie-instellingen. Informatiediensten --- Documentatie-instellingen. Informatiediensten --- 025.1 Bibliotheek: leiding, directie. Bibliotheekorganisatie. Bibliotheekmanagement --- Bibliotheek: leiding, directie. Bibliotheekorganisatie. Bibliotheekmanagement --- Documentation --- Public institutions --- Librarians --- Change, Organizational --- Organization development --- Organizational development --- Organizational innovation --- Management --- Organization --- Manpower planning --- Data collection services --- Information brokers --- Information centers --- Information science service organizations --- Information service providers --- Providers of information services --- Information retrieval --- Information science --- Research --- Libraries --- Library management --- -Management --- Administration

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A free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.

Musical instruments --- Music and technology --- Electronic musical instruments --- Music --- History --- Philosophy and aesthetics --- Civil engineering. --- Communication. --- Engineering. --- Mass media. --- Musical instruments. --- MUSIC / History & Criticism. --- History. --- Philosophy and aesthetics. --- 20th century music history. --- developing new musical instruments. --- developing new musical technology. --- electronic musical instruments. --- history of music. --- jorg mager. --- mechanical instruments. --- media instruments. --- music and technology. --- music appreciation. --- music composition. --- music theory. --- music. --- musical aesthetics. --- musical automation. --- musical innovation. --- musical inscription. --- new music. --- new musical instruments in the 20th century. --- sound technology. --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Technology and music --- Technology --- Mass communication --- Media, Mass --- Media, The --- Communication --- Construction --- Industrial arts --- Electronic instruments (Music) --- Electrophonic musical instruments --- Musical instruments, Electronic --- Instruments, Musical --- Organology (Music) --- Instrumental music --- Communication, Primitive --- Sociology --- Engineering --- Public works --- Philosophy --- History and criticism --- 78.48